ATOΠA*

                                                                  by the sculptor Theodoros

When the space of communication is inundated with audio-visual information, where can any space for sculpture be found ?

When sculpture is understood as the plastic language which communicates through tactile materials, diachronically, beyond the actuality of the ephemeral image.

Here is the critical question:

How can a sculptor in our era break through the screens of the "a-topian image" in order

to function in the diachronic "depth of field" of art as communication, which gives content

to civilization?

When Civilization is understood as a field of qualitative co-existence and as a vital element of social life for the natural survival of humankind on earth.

                                                           From the materials of nature to the forms of sculpture

THE RECIPROCAL RELATIONSHIP:

                                                            From the forms of art to the materials of sculpture

                                                                                                                                     January 1997

*Greek word that means: Out of place, without place

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